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Short answer: For most acoustic owners the practical pairing is a meter that lives in the case and a control system that holds the target. P1 (MusicNomad Hone) is the overall pick because it clips to the strings inside the instrument, refreshes every 20 seconds and stores max and min, which is exactly what you need to see the overnight swing. P6 (MusicNomad Humitar ONE) is the smart pick if you want humidification and monitoring in one object. P3 (D’Addario Humidipak) is the value pick in the sense that it does the controlling job with no water and no refilling, and P10 is the same system sold as replacement packets. P7 (Govee H5074) is the one to choose if you want a phone log of the last three weeks rather than a number you have to walk over and read. P2, P5, P11 and P12 are room meters, not case meters; they are useful for the room the case sits in, but a case is a small sealed volume and a meter sitting on a shelf tells you very little about it. P8 is a cigar humidor gauge and P9 is a soundhole humidifier with an analog gauge, both of which belong to adjacent topics rather than this one.
What relative humidity actually does to instrument wood
Wood is hygroscopic. It takes on and releases moisture from the air around it until it reaches equilibrium, and as it does so it changes dimension. The change is not equal in all directions: along the grain a spruce top moves very little, across the grain it moves a great deal. A soundboard is braced across the grain, and the braces resist that movement. When the air dries and the top tries to shrink, the braces hold the outer edges in place and the stress concentrates along the centre seam and around the brace ends. That is where the crack appears.
The practical consequence is that the number that matters is not the average humidity but the low. A case that sits at 48 percent for six days and drops to 30 percent on the seventh has done real damage on the seventh. This is why max and min memory is the single most useful feature on a case hygrometer, and why a meter without it can look reassuring while the instrument is being harmed. If you want to understand how humidity measurement works more generally, the guide to digital hygrometers covers sensor types and calibration.
Why a case meter is not the same as a room meter
A closed guitar case holds a small volume of air, perhaps thirty to fifty litres, and that air is in contact with the instrument, the lining and the case shell. All of those buffer humidity changes, which is exactly what you want: the case slows the swing that the room experiences. But it also means the air inside the case can be several percent different from the air in the room, and the difference grows when the room is being heated or cooled aggressively.
A meter sitting on a shelf tells you about the shelf. To know what the instrument is experiencing you have to put the sensor in the case, and ideally inside the instrument. A clip-on meter like P1 does this by hanging from the strings. A logger like P7 can be dropped into the accessory compartment, though the listing does not describe any case mounting. Either way, the placement decision matters more than the specification sheet. If you are monitoring a room for other reasons, the material on air quality monitors covers the wider picture, but it is a different job.
One-way humidifiers, two-way systems, and the mistake people make
A sponge humidifier adds water vapour. That is all it does. If the case is at 35 percent it will push the reading up, and if the case is at 55 percent it will push it further up, because there is no mechanism to stop it. In a dry climate that is fine. In a damp one, or in a case with a good seal and a large sponge, it can take the instrument above the safe band, which swells the top and raises the action just as surely as dryness lowers it.
A two-way system contains a saturated salt solution that buffers toward a fixed equilibrium. Below the target it releases vapour; above it, it absorbs. The D’Addario system is specified to hold 45 to 50 percent, which is why it is the control pick here. The trade-off is that it is a consumable and it displays nothing. The best setup for most owners is a two-way system plus a meter to verify it, and the meter is what tells you when the packs have stopped working. For a wider look at how instruments and rooms interact over time, the page on humidity data loggers for museums explains the buffering principle in more depth.
Reading the specifications that listings actually publish
Look at what the listings on this page give you. P7 publishes an accuracy of plus or minus 3 percent RH and a 2 second refresh. P8 publishes plus or minus 5 percent. P1, P6 and P9 publish a refresh rate of 20 seconds or nothing at all, but no accuracy figure. P3 and P10 publish the band they hold, 45 to 50 percent, but no accuracy for that band. That pattern is normal in this category and it tells you something: refresh rate is cheap to specify and accuracy is not.
The practical rule is to treat a published accuracy as the basis for a decision and an unpublished one as a trend indicator. A meter that updates every 10 seconds but has no stated accuracy can still tell you that the case is heading toward 30 percent, which is the information you need to act. It cannot tell you whether you are at 44 or 49, and you should not make fine adjustments on the strength of it. Where a listing quotes an implausibly tight figure for a consumer sensor, that figure is usually display resolution rather than accuracy; none of the listings here do that, but it is worth knowing when you shop elsewhere.
Where a hygrometer stops being the right answer
A hygrometer is a measuring instrument, not a protective device. It will tell you the case is at 28 percent and it will do nothing about it. If your instrument is already showing a sunken top, sharp fret ends or a buzzing that appeared over one winter, the problem is not measurement, it is that the instrument needs to be seen by a repair shop and the storage conditions need to change.
There is also a point at which the case itself is the problem. A gig bag with a broken zip, or a hard case with a failed seal, will track the room no matter how much humidity you put into it. If a logger shows the case humidity following the room within minutes of closing, the fix is a new case, not a better meter. And if you are storing an instrument in a room you are also monitoring for other reasons, it is worth separating the two questions: the instrument needs a stable band in a small volume, and the room needs whatever the people in it need. The two are related but they are not the same measurement, and one meter cannot do both jobs well.